Willing to be Illuminated and Pierced

Posts tagged ‘play’

Catching Dragonflies

I don’t know if most kids still know how to catch dragonflies nowadays. I doubt if any of them still do, especially those who live in cities where trees and plants are almost non-existent. It seems they have settled their childhood on iPads and YouTube, leaving me with the impression my childhood days were better than theirs.

Childhood for me was simple and bliss, peppered with memories of Gummy Worms, colored gum, matchbox cars and Japanese anime series. I never owned a game console even though I had drooled for my cousin’s Nintendo, which was filled with Mario or Sonic the Hedgehog. Instead, I had loads of playtimes at school. Huge old, mango trees gave us shade when we played touch ball and sipa. The green, growing grass that had brushed our socks and newly, shined leather shoes became home to curious little creatures like the dragonfly.

I don’t know the origin of dragonfly catching. It appears to be buried in the subconsciousness of every active kid born with sunshine and fresh air. My mom told me they also used to catch dragonflies when they were children. Now, it was my turn to catch a few of them. 

These little creatures were quick. While one dragonfly would brush its face with its front feet, I’d slowly and quietly sneak behind it. I’d usually spot them sitting on blades of grass. Snatching it by its wings, I’d then feed it with pieces pf grass. Once it stops eating, I’d let it go. Then, I’d catch another one out of thrill.

Green dragonflies were the most common ones. It would be an honor for anyone who could catch a blue one because it was rarer and quicker. Anyone who catches a red one would be the master of drangonfly hunting. It’s like winning a jackpot and the awe of your classmates when you catch the reddest of them all.

But I’d usually beat the others by catching more dragonflies quickly. One schoolmate once asked for my handful of dragonflies in exchange of chocolate candies I was asking from her (which I obliged for the sake of chocolate). But it was a horror for me to find some kids picking off this insect’s wings one-by-one. I’d never do that to a harmless creature. So, it seemed to be a waste for some kids at school that I would always let go of the dragonflies I have collected at the end of the day. 

These days, I’d only see dragonflies when I go on a hike. Unlike before, I would never dare to touch one because there might only be a few of them living in this sanctuary. But seeing one would always make me excited because it would always be a part of my simple and blissful childhood that might never be experienced by the next generation.

Curtain Viewpoint: Finding the Missing in “Katre”

To lose a loved one through death is tragic, but to lose them without a trace is more devastating. Such is the pain that relatives of the missing go through, which was brought to life by Christian Tordecillas’ masterpiece, “Katre”.

It’s an honor for me to see a friend’s work come alive on stage. Christian, or X as we fondly call him, had written plays that imply social relevance. One of them was the one-act satire, “Dyip” (Jeep, short for jeepney), which won him the Carlos Palanca award in 2006. I was already impressed by his brilliance in provoking critical thinking of life’s realities through artistic writing. This time, “Katre” touched my heart as it brought up the issue of desaparecidos in the country.

In the play, an aged Lea awaits for her missing husband and child. Everytime she rises and returns to her katre (bed in Visayan dialect), she recollects her life when her family was still with her. Not knowing their fate, she clung on the hope that they are still alive.

Lea is the epitome of those left by desaparecidos, or those who are missing due to forced disappearances. We remember Jonas Burgos, who still remains missing since he was taken in 2007. We remember Karen Empeño, and Sherlyn Cadapan, whose whereabouts remain unknown even when alledged abductor Ret. Gen. Jovito Palparan had been caught. We remember the rest of the desaparecidos since Martial Law, who had been forcefully taken into the seclusion. Just like Lea, those left behind by desaparecidos struggle between hope and despair.

Because I did not want anybody to see I was a crybaby, I gulped back my tears when Lea battled against that hope she treasured for years. The actress convinced me of the pain and frustration Lea tried to deny before. Her story rings the message of the consequences of impunity — which the Philippines has struggled for a long time.

Without glorifying the political overtures of impunity, “Katre” brings to thought the ordeal of those who have been victimized by it, whether the desaparecidos or the families they left. Simply portrayed yet deeply movong, “Katre” awakens the fact that the issue of impunity should not be ignored.

“Katre” is one of the plays featured in “BA-WAL: Mga Dulang Bagong Luwal” by Project Mayhem Productions. Also featured here is the dark comedy “Over My Dead Body” by Christian Dagsil. You can watch them at Ateneo de Manila, at the ISO complex. Remaining theater dates are at September 7, 13, 14, and 15. These plays are shown at 3pm and 7pm, except on September 13, as show is only at 7pm.

Meet the master behind, "Katre", Christian "X" Tordecillas. To see one of his works come alive on stage is an honor

Meet the master behind, “Katre”, Christian “X” Tordecillas. To see one of his works come alive on stage is an honor

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